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“The writer operates at a peculiar crossroads where time and place and eternity somehow meet.” -Flannery O’Connor

Jacqueline Goldfinger (she/her/hers) is a playwright, dramaturg, and co-Founder of The Foundry @ PlayPenn. She grew up in the rural South and prefers all things fried. Primarily known for her work in the Southern Gothic genre, she has also written Drama and Sci-Fi plays as well as adapted classic literature for the stage.

She is an Affiliated Artist at New Georges and The Lark Playwright’s Center. She is a member of the writers’ labs at Azuka Theatre and The Barrow Group.

She won the Yale Drama Prize, Smith Prize, Brown Martin Award, Barrymore Award, and Philadelphia Critics Award. She's been nominated for the Weissberger Award, Blackburn Prize, and Foote Prize, and was a Finalist at the 2018 International Book Awards.

Her plays have been developed by theaters including: New Georges, The National Theatre/London, Wilma Theatre, The Kennedy Center, La MaMa, Disquiet/Lisbon, Florida Studio Theatre, Westport Playhouse, Orlando Shakespeare Theatre, and Kansas City Rep.

Her plays have been produced by theaters including: Perseverance Theatre, Capital Stage Company, Azuka Theatre, The Seattle Public, Manhattan Theatre Works, North Coast Repertory Theatre, Acadia Repertory Theatre, Simpatico Theatre, Know Theatre, Thrown Stone Theatre, and the NYC International Fringe Festival. 

Her plays are published by Yale Press, Samuel French, Playscripts, Smith & Krause, and Blackbird Literary Journal. You can also read her work on the New Play Exchange.

Her work has been supported by Yaddo, NEA, Audrey Residency, The Drama League, Emerson Stage, PlayPenn New Work Conference, Sewanee Writers Conference, and The Mitten Lab, among others.

As a dramaturg, she has worked with companies including PlayPenn, Philadelphia Theatre Company, Native Voices, and La Jolla Playhouse (assistant dramaturg). 

She teaches writing at University of Pennsylvania and also teaches a playwriting workshop for MFA Playwrights at Temple University. She sits on the Boards of the Literary Managers and Dramaturgs of the Americas and The Directors Gathering. She is a member of The Dramatists Guild. Full CV available upon request.

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